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Categorized: Editorials

M. Night Shyamalan Shouldn't Need to Defend Himself

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Shouldn't everyone be confident in their work?

Brad Brevet
By:
Published: Monday, June 2nd 2008 at 2:52 PM

Photo: 20th Century Fox via The New York Times

I think I have said this before, but on my flight home last year from the San Diego Comic Con I ended up sitting next to a Hollywood writer/director that all of you would recognize as soon as I said his name. We got to talking and seeing how it was right around the time Lady in the Water had been released and I seemed to be the only one that enjoyed it I asked him if he had seen it. He replied, "I wouldn't watch a movie from that arrogant prick!"

Now you can see why I don't give you his name, because while he seems to have no problem condemning someone for having confidence in their work I am sure he wouldn't want me throwing his name out there attached to his condemnation. Especially since this guy hasn't made anything worth talking about since 2004.

I bring this up as a new article over at the "New York Times" by Allison Hope Weiner talks about M. Night Shyamalan's return to the big screen following the box-office failure that was Lady in the Water and the downward slope in box-office his films seem to have taken since The Sixth Sense in 1999. More than focusing on box-office numbers, the article focuses on Night's image in Hollywood. The piece opens saying, "M. Night Shyamalan says he knows exactly when his relationship with Hollywood started to sour."

In 2000, he was on a conference call with executives from Walt Disney Studios discussing Unbreakable, the follow-up to his phenomenally successful movie The Sixth Sense. "He wanted to market Unbreakable as a comic-book movie — the tale of an unlikely superhero — but Disney executives insisted on portraying it as a spooky thriller, like The Sixth Sense. "

"I remember the moment that it happened, exactly where I was sitting at the table, the speakerphone," he recalled in an interview from his office in a converted farmhouse near Philadelphia. "That moment may have been the biggest mistake that I have to undo over 10 years so the little old lady doesn't go, 'Oh, he's the guy who makes the scary movies with a twist.'"

His relationship with Disney was then front and center when he criticized a meeting with Disney studio executives, Nina Jacobson, Dick Cook and Oren Aviv, in a book by Michael Bamberger, "The Man Who Heard Voices."

In the book, which received a huge amount of press, Mr. Shyamalan accused Ms. Jacobson of not giving his Lady in the Water script "a truthful reading" and said that he thought that it had been rejected because Disney "no longer valued individualism."

Following that people began criticizing Night from every angle. Lady in the Water didn't stand a chance even if people had liked it they wouldn't admit it (I did though). They used comments he made back in 1999, comparing himself to Steven Spielberg and Alfred Hitchcock, against him. Suffice to say, he couldn't win. It was negativity at an extreme level and the quote I gave you at the opening of this article goes to show it wasn't only for the press.

The final comment at the end of the "Times" piece makes me picture Night with a bewildered look on his face saying, "You'd want me to take the money? You'd want me to whore out. That's what they wanted me to do," he said. "You know how hard it is not to do the conservative thing out there?"

So, here we have a filmmaker that has confidence in himself and refuses to bend and twist it in order to conform to the Hollywood norm. What does Hollywood do? They hate him for it.

I don't see Night as an arrogant man. I see him as a confident man and I wouldn't want a film director to be any other way. Imagine a director working from his own script and he runs around unsure of himself at every turn. A man that takes the advice from producers and studio heads as if it is free candy. Sorry, that is not a film I want to see, and luckily Night refused to fall into that mold and I applaud him for it.

In The Happening a strange occurrence has people inexplicably killing themselves
Photo: 20th Century Fox

With The Happening, which comes out on June 13, we get Night's first R-rated film and you better believe Fox is taking advantage of that fact. While it appears the majority of the action is too brutal to point in a green band trailer the studio has resorted to using a voice over on the trailers saying, "In his first R-rated effort," or something to that effect. As much as I loathe Fox it is rather ironic that Night's "comeback" film would land in their laps.

Leading up to the release I plan on doing short articles about all of Night's previous films beginning with The Sixth Sense up to Lady in the Water. Yeah, I own all of them and even have Signs and Unbreakable on Blu-ray and regret not having the others in high definition yet.

Night is a man I respect and I have been able to find something I love about each and every one of his films even if I wasn't enamored with the final product. I will share that later, but if you have the time be sure to read the article at the "New York Times" it's worth a moment of your time. Here's the link.

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There are 4 comments so far. Scroll down to share your thoughts.

Showing 4 Comments

  1. RaTTleR_NL

    He shoudln't indeed, I really like his films and that includes Lady in the Water.
    The problem with that one and The Village (and the problem is not with the films themselves) is that they're very different from Sixth Sense and Signs. They're not as intense but where never meant to be.

    Lady in the Water is clearly not a scare-you're-trousers-off or confuse you till you have a little puddle of drool on the floor directly under your chin.
    It's a fairytale and not horror or suspense or anything. And a well told one in my opinion.
    I think it fits well in line with lots of other fairytales with the same level of scarieness (and I'f you're trying to remember and can only see the disneyfied versions instead of the original stories you should be deeply ashamed).

    He has quite original ideas and a very different way of telling the story, like forgetting about the big picture and focussing on a single incindent in Signs, and I appreciate it. Can't wait for the next one.

  2. Beatowner

    Spot on Brad, spot on. This article says a lot of insightful things about people and their expectations of a director.

    I think Night really is misunderstood, and I'm not quite sure why. It is nice to see someone that is baffled as I am?

    People expect him to make brilliant, flawless movies everytime! People pretend that every other writer-director in Hollywood has a spotless resume. Coen Bros, Tarantino, P.T. Anderson, The Wachowski's have all made less than brilliant films.

  3. Forbit

    how eager the press is to categorize and label and how that then feeds on itself and becomes the lens we, the consumer, view that personality through. He obviously has immense talent and took some chances that didn't pan out commercially. History will be the final arbiter of greatness.

  4. steve

    I always thought highly of M. Night Shyamalan until I wanted to meet him. On a person to person level he is so arrogant that I realize why the other director you met in the plane said,"I wouldn't watch a movie from that arrogant prick!"

    I wanted to share some of my thoughts on his movie, "The Last Air Bender." Could you imagine what he told his secretary? He threaten that I was stalking him. Hello?…give me break I just call his office and ask to speak to him. If he did not want to speak to me he should just tell his secretary but instead he send word that I am stalking him. Holy crap he is not someone pretty…why in the world would a fan stalk him?

    Now when I read your article I can understand why the other director said that. Try meeting him in person you will see such an arrogant prick he can become. I wonder what fame can do to a person.

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