Titanic (1953): Amazon.com
Although it was never known for strict authenticity, the elegant 1953 production of Titanic holds just as much fascination as A Night to Remember and James Cameron's 1997 blockbuster. Its original screenplay deservedly won an Oscar® for its brilliant, dramatically involving creation of fictional characters--primarily a strained couple on the verge of divorce (Clifton Webb, Barbara Stanwyck)--whose lives are forever altered on that fateful morning of April 15, 1912. Director Jean Negulesco focuses on this human drama, lending a personal touch to the luxury liner's fatal collision with an iceberg; if the scale-model disaster (complete with motorized miniature lifeboat rowers) looks quaint by modern special-effects standards, it still captures the emotional impact of Titanic's ultimate fate. While Titanic's sinking is inaccurately depicted (here the ship is damaged on the port side, and sinks in one piece), the Webb/Stanwyck relationship is handled with sophistication, style, and well-earned redemption. As would happen with Cameron's Titanic 44 years later, fiction proved a perfect vehicle for tragic factual history.

The Godfather (1972): Amazon.com essential video
Generally acknowledged as a bona fide classic, this Francis Ford Coppola film is one of those rare experiences that feels perfectly right from beginning to end--almost as if everyone involved had been born to participate in it. Based on Mario Puzo's bestselling novel about a Mafia dynasty, Coppola's Godfather extracted and enhanced the most universal themes of immigrant experience in America: the plotting-out of hopes and dreams for one's successors, the raising of children to carry on the good work, etc. In the midst of generational strife during the Vietnam years, the film somehow struck a chord with a nation fascinated by the metamorphosis of a rebellious son (Al Pacino) into the keeper of his father's dream. Marlon Brando played against Puzo's own conception of patriarch Vito Corleone, and time has certainly proven the actor correct. The rest of the cast, particularly James Caan, John Cazale, and Robert Duvall as the rest of Vito's male brood--all coping with how to take the mantle of responsibility from their father--is seamless and wonderful. --Tom Keogh

Terms of Endearment (1983): Amazon.com
Larry McMurtry's novel becomes a somewhat lumpy film as directed by James L. Brooks (As Good As It Gets). Nevertheless, it is entirely winning, with Shirley MacLaine and Debra Winger playing a combative mother and daughter who see each other through various ups and downs in love and loss, and most especially through a terminal illness endured by Winger's character. Jack Nicholson deservedly won an Oscar for his supporting role as a free-spirited astronaut who backs away from a romance with MacLaine and then returns in the clutch. As he always does, Brooks keeps things from getting too soapy with his intense concentration on the soulful evolution of his characters. Tom Keogh

Forrest Gump (1994): Amazon.com
The Academy Award winner for Best Picture, Best Director Robert Zemeckis, and Best Actor Tom Hanks, this unlikely story of a slow-witted but good-hearted man somehow at the center of the pivotal events of the 20th century is a funny and heartwarming epic. Hanks plays the title character, a shy Southern boy in love with his childhood best friend (Robin Wright) who finds that his ability to run fast takes him places. As an All-Star football player he meets John F. Kennedy; as a soldier in Vietnam he's a war hero; and as a world champion Ping-Pong player he's hailed by Richard Nixon. Becoming a successful shrimp-boat captain, he still yearns for the love of his life, who takes a quite different and much sadder path in life. The visual effects incorporating Hanks into existing newsreel footage is both funny and impressive, but the heart of the film lies in its sweet love story and in the triumphant performance of Hanks as an unassuming soul who savors the most from his life and times. --Robert Lane

Braveheart (1995): William Wallace is a Scottish rebel who leads an uprising against the cruel English ruler Edward the Longshanks, who wishes to inherit the crown of Scotland for himself. When he was a young boy, William Wallace's father and brother, along with many others, lost their lives trying to free Scotland. Once he loses another of his loved ones, William Wallace begins his long quest to make Scotland free once and for all, along with the assistance of Robert the Bruce.

American Beauty (1999): A biting, penetrating and often humorous take on contemporary life in suburban America, Lester Burnham becomes intrigued by a young girl named Angela, and this fascination sparks him to make some major changes in his life. He relishes these changes, much to the exasperation of his wife Carolyn.

Gladiator (2000): In the final days of Marcus Aurelius' reign, the aging emperor arouses his son Commodus' anger when he makes known his wish that Maximus be his successor. Power-hungry Commodus kills his father and orders the death of Maximus. But the latter flees and hides his identity by becoming slave and a gladiator. Eventually, Maximus journeys back to Rome to confront his arch-rival.