Will Superhero Movies Soon Leave General Audiences in the Dust?
Green what? Watchmen who?

Today it was announced by Variety that GoldenEye, Mask of Zorro and Casino Royale helmer Martin Campbell is in negotiations to direct Green Lantern, a live-action film based on the DC Comics hero. Apparently this is a sign that Warner Bros. fully intends to make Lantern a top priority as its next hopeful superhero franchise. However, I can't help but feel like I am in the dark on this one and may be on all subsequent superhero movies from here on out. After all, I have never read a single comic book in my life outside of reading "Watchmen" once as well as Book One of Frank Miller's "Sin City" series, "The Hard Goodbye." So, when people start talking about Green Lanterns, Green Arrows and all the recent mumbo jumbo saying Mickey Rourke is not the Crimson Dynamo in Iron Man 2 I get this blank stare plastered on my face as all of it washes over me with no idea as to what anyone is talking about and I can't help but wonder if general audiences are with me on this.
From my perspective, the superheroes I know and recognize include Superman, Batman, The Incredible Hulk and Spider-Man. Obviously movies have introduced me to the likes of Ghost Rider, Daredevil, Elektra, the Fantastic Four and Iron Man but if you look at those last five examples you will see how and why the audience disconnects from the lesser known superheroes and the big screen treatment they receive.
First, let's look at Superman, Batman, The Incredible Hulk and Spider-Man. These four are so well known you could almost put anyone in the lead roles and you will have a hit on your hands. This was pretty much proven by the fact the second Hulk movie made only $2 million more than the first one, which one was better I will leave to you as my opinion on that doesn't matter right now. The point is the audience knows these characters and is going to go check them out no matter what. That isn't to say they will return for seconds if the movie doesn't sit well with them, but you can pretty much count on opening weekends being quite strong with these four and a standard superhero box-office number guaranteed — such as something around $130-150 million for mediocre and then who knows how high if it is exceptional.
Now, with heroes such as Ghost Rider, Daredevil, Elektra, the Fantastic Four and Iron Man we have noticeably different approaches with lesser known heroes.
With Ghost Rider Sony hired name talent as did Fox with Daredevil in the lead roles, but both films pretty much stunk and ended up making $115 million and $102 million respectively. Fox tried to spin-off Daredevil with Elektra, which meant spinning off a stinker into a superhero that was even lesser known and only mustered $24 million. Both Ghost Rider and Daredevil were examples of hoping the name talent sold the film and it would be a stretch to say it worked, and certainly not on any kind of epic scale, especially considering the money that goes into a superhero film for effects, talent and at the end of the day, marketing. Lesson here is half-assed attempts don't work for lesser known heroes even if your stars are recognizable.
Then we have Fantastic Four, which managed to do slightly better than those previously mentioned with $154 million at the box-office the first time around and then $131 million with the sequel. Considering the reported budget for the two films is said to be around $230 million we aren't talking about a huge box-office return, which is probably why we haven't heard word one about a Fantastic Four 3. Many will argue the quality of both films whereas I thought both were satisfactory on first viewing, but I would never want to see either again. Where I think this one managed to bring a few more people into the seats was with the effects on the Chris Evans/Human Torch character and the sex appeal of Jessica Alba, but neither are reasons enough to build a franchise. Of course the worst part of the FF franchise is that the scripts were also half-assed and the films were made as effects-driven films with the story coming in second and what appeared to be an angle to make big returns on opening weekend and then again on DVD. It never felt like a legitimate effort.
Now we come to Iron Man. There is a lot of credit to be thrown around with this film even though I don't love it as much as the fanboys do. Paramount, Marvel and director Jon Favreau went out and hired the likes of Robert Downey Jr., Gwyneth Paltrow, Jeff Bridges and Terrence Howard to star in this film. With a cast like that the only comparison to be made is with Batman Begins and The Dark Knight. It seems Paramount realized the way to bring a lesser known superhero into the mainstream is to actually try and make a real movie as opposed to making an effects driven first weekend blockbuster that fades into the night. After all, the main appeal to the film is Downey as Stark and then the suit and cool effects. Hmmmm, story first… what a novel idea.
The reported budget on Iron Man is $140 million — only $10 million more than Fantastic Four: Rise of the Silver Surfer — which basically proves it's not about how much money you spend, it's about how you spend it and what you spend it on and even then money doesn't matter if what you are making stinks. Do you think any of those actors would have signed on to a superhero movie if it came with a script that read like Ghost Rider or Daredevil? Sure, Nic Cage and Ben Affleck did, but do we really want to begin those comparisons?
With Warner Bros. set to release Watchmen this March, another relatively unknown to the masses comic book adaptation, and now prepping to bring the Green Lantern to the fold we are beginning to see the formula for bringing unknown superheroes to the general audiences.
Photo: Warner Bros.
Of course I don't really think Watchmen is a good test since it is rated R and is so wildly different than anything else out there, but what about Green Lantern? Bringing Martin Campbell aboard is certainly a good start and brings an instant credibility to the feature, but from here on out a lot will depend on the script written by Greg Berlanti, Marc Guggenheim and Michael Green.
Obviously I am going to see these films no matter what since it is my job and even general audiences may head out to see it once just because superheroes and special effects are cool, but once isn't enough anymore and bringing your usual effects-impressed friends isn't either. You need to bring the folks that might not typically go to this kind of a movie, Iron Man didn't make $318 million just because the fanboys that go to every superhero movie showed up, it made that money because it was a real movie and people returned to see it and people interested in Downey and the rest of the talent involved showed up, and they showed up because it was worth seeing and had heard so from their friends as opposed to, "Eh, it's okay, the effects were cool."
We are coming to an age where a superhero movie can't be half-assed anymore if it wants to be successfully turned into a highly profitable franchise. Sure, you can keep churning out films like Ghost Rider and Fantastic Four, but they will keep on making $100-130 million each time and unless studios figure out how to make them cheaper it just doesn't seem to pay off.
By the way, I am sure some people would love to bring up X-Men and its profitability, but when you look at the box-office gross to budget comparison you will once again see just how much quality pays off over money spent:
- X-Men was made for $75 million and earned $157 million
- X2: X-Men United was made for $110 million and earned $214 million
- X-Men: The Last Stand was made for $210 million and earned $234 million
Quality always wins out.
All box-office numbers are domestic and come from Box Office Mojo as do the production budget figures used in this editorial.










