Whit Stillman enters my world with one from Gilliam
This week I caught up with one television show and ventured into Whit Stillman territory for the first time…
| Fear and Loathing in Las Vegas (1998) |
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QUICK THOUGHTS: Recently I asked a group of critics prior to a film screening what they thought of Fear and Loathing in Las Vegas. Everyone seemed to say they enjoyed it and one person said he thought it was funny. This was my second time watching this movie as I still have the HD DVD from Universal and wanted to give it another chance after not particularly taking to it the first time. When it comes down to it I have no real opinion one way or the other. The film is okay and I really want the Criterion edition for the three separate commentaries, but other than that it's simply a'ight.
There is, however, one thing I did take away from it, which was its approach to Hunter S. Thompson (or Duke as Depp's character is referred to) as an ingenious writer. It shows the wild and paranoid state he was living in as his drug-filled trip through Las Vegas gets crazier and crazier. Yet, at the same time his focus on his writing is keen and there is something of a self-awareness as well as a social-awareness to his character I felt was pivotal. While I would never condone the actions Duke takes throughout this film, I think the character shows ambition as well as no regard for personal appearance, something I think many can learn from (self-included). Sure, he came off as a wacko, but he had a view of the world unlike any other. Toss the drugs and some of the disrespect out the window and a person could really learn something from this kind of behavior – no matter how crazy it appears to be, adapting it for your personal needs and advancement could end in particularly interesting results.
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| The Last Days of Disco (1998) |
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QUICK THOUGHTS: I decided to watch Whit Stillman's Metropolitan because I enjoyed The Last Days of Disco and seeing how Stillman has only three feature films to his credit I figured it wouldn't hurt to take a look at one of his other works after enjoying the first, and since it was on NetFlix Instant Play it was ready and available. With that in mind, I both enjoyed and was mildly bored by Metropolitan, a reaction I think has less to do with the film itself as much as it had to do with watching it just after watching Last Days of Disco. While Disco, I think, is a better film for a variety of reasons, less redundant being at the top of the list, Metropolitan is a decent enough film with the same whip smart dialogue and lessons of growing up as we follow a group of New York preppy teens as they act well beyond their years yet live their lives with the same insecurities people of that age tend to.
Perhaps the most telling thing about this film and Disco is that reading Roger Ebert's reviews of the two films it almost sounds like he is reviewing the same film with only slight variations. Most interesting where the following lines from both reviews:
"He has made a film Scott Fitzgerald might have been comfortable with…" – Metropolitan
"If Scott Fitzgerald were to return to life, he would feel at home in a Whit Stillman movie." – Last Days of Disco
See, after eight years the one thing Stillman managed to do is convince Ebert not only "might" Fitzgerald be comfortable with his films, but he would actually "feel at home" in them. Nevertheless, they are both great movies, just put some time between watching one and then the other. One of these days I will be sure to check out Barcelona, which Ebert coincidentally says, "The movie's plot is as lighthearted as a Scott Fitzgerald short story, all about young people skimming the surface of the pond of life, flitting here and there, making small talk and flirting."
I'm seeing a pattern here…
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QUICK THOUGHTS: I mentioned in my "On DVD and Blu-ray" post on Tuesday how this one hadn't arrived, and after a quick email and a couple of days it was here and I rushed through all 12 episodes. I will have a review online soon of the overall package, but I will say that while the attention to the Jimmy Smits character can get a bit tedious at times, this season was no less entertaining and had some wonderful one-liners, my favorite being one from Dexter's monologue of consideration, "Do I see sheets of plastic in your future?"
Strangely enough, it also got me thinking about Tarantino's Inglourious Basterds as well. While watching "Dexter" the writers have made us relatively comfortable with Dexter's serial killing, primarily because he is killing people that have done wrong and gotten away with it. You can find the exact same comfort with the killing in Inglourious Basterds.
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QUICK THOUGHTS: Yup, another title for review, but it caps off a week of some great home entertainment. I really like this movie and particularly for the reason that it focuses on twenty-somethings which doesn't make the story so far out of reach. Most of all, it justifies the drinking.
So often these films are about high school or even college age kids and the drinking is all done by underage teens, which is fine for the sex romp comedies they are making, but it is nice to see a film that doesn't necessarily have to use adolescent stupidity to sell its comedy. There are plenty of stupid decisions all age groups make in life and why not take a risk and make a film about an age group that doesn't always get as much screen time? There was an air of honesty that went into this film I enjoyed, and even though it had its share of outrageous behavior, for the most part it really worked.
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There you have it. Now share your weekly recaps and weigh in with any thoughts you may have on the films I saw. And remember to connect with my Netflix queue by clicking here, I have already added several titles from those that have already linked up.
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Plenty of movement, plenty to discuss
McKay gives one of the best performances of 2009
Visually satisfying, but ultimately disappointing
Ninjas using CGI to fight their battles in darkness are not entertaining
Will Plummer and Mirren enjoy Oscar nominations?
Get a load of those choppers.
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Nine ~ TV Spot
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