What I Watched, What You Watched: Installment #4
Voyeurism, murder, hero vs. heroine and a passing diversion
Back again with my weekly wrap-up of what I watched that wasn't an upcoming theatrical release, although I will admit this isn't the complete list. There is one old school film I am prepping a review of and there are six others that have something in common with the final title on this list that will be part of a feature article on Monday so I decided not to mention them here. However, I do have four titles for you to chew on. The first two are definite must-sees and the third one I am assuming many of you have already seen, but may have something to say about my comments.
As always, after checking out what I watched, add your thoughts in the comments as well as share some of the films you watched recently and suggest future titles for myself and others to add to our Netflix queues, which, by the way, if you are Netflix subscriber you can connect with my queue by clicking here.
Now let's get on with it…
| Peeping Tom (1960) |
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QUICK THOUGHTS: I can't remember why I originally added this one to my Netflix queue, but I guess reason to watch a Michael Powell film isn't hard to come by and I wasn't disappointed. Peeping Tom comes in at only 101 minutes and was just the right running-time as a before-bed-night-cap with Carl Boehm playing a psycho who films his victims as he kills them due to some serious daddy issues. Boehm's performance is creepy as hell and the only actor I could even think to compare this performance to would be some of those turned in by Peter Lorre, but I don't even think that really fits too closely. To think this came out the same year as Psycho goes to show just how far the horror/thriller genre has degenerated over the years. If you are up for a film that will give you a creep or two, give this one a peek… It's available on NetFlix Instant Play right now.
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| In Cold Blood (1967) |
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QUICK THOUGHTS: Based on the Truman Capote nonfiction novel this is another movie that knocks it out of the park. Starring Robert Blake before he had… well… let's just say he had some legal troubles, this slow build crime drama centers on two drifters who end up murdering a Kansas family they have been led to believe have a safe filled with $10,000. The film covers the drama that follows in what many call a sympathetic look at the two killers while looking down on Capital punishment. Whether you get wrapped up in that or not, the more you learn about the story behind the film the creepier things get. Such as the fact the re-enactment of the murders was actually filmed on location in the house of those that were killed. Booga, booga.
Cinematically, the one thing I defy anyone to come away from this film not taking full appreciation of is the cinematography from Oscar-nominated Conrad L. Hall. In perhaps one of the most outstanding uses of black-and-white photography I have ever seen in film I give you the following monologue as read by Perry Smith (Blake). Pay particular attention to the effect the rain drops on the window have on Blake's face as he gives his heartfelt speech. I read the effect was unintentional, but either way it's there and deserves our respect. You may want to hit the "HQ" button for the best look. |
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| Dead Calm (1989) |
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QUICK THOUGHTS: I have never been a huge Nicole Kidman fan, but watching this reminded me of how much easier she was to watch when she had her naturally curly red locks and a face that wasn't tightened with a torque wrench. This film, however, suffers from a fatally flawed ending and a dead child twist that does absolutely nothing for the film other than create a jumping off point. But most-of-all, it's the anti-heroine ending that really ruins it when all is said and done.
The entire movie has our female star (Kidman as Rae) working her ass off to stay alive aboard the stolen family sailboat manned by a psychopath (Billy Zane as Hughie) and a dog that obviously had only Hughie's best interests in mind. Meanwhile, her husband (Sam Neill) only had to stay alive on a sinking boat and try not to lock himself in the engine room as it filled with water (oops!). As the film plays out it leads to a situation where Rae beats Hughie, saves her husband and comes out the savior. Of course, that's the false ending. The ultimate ending comes about as Hughie is still alive, comes back and starts strangling Rae only to be saved at the last minute by her husband as he shoots a flare through the sail and into Hughie's mouth. An impressive and mildly gruesome kill for sure, but it is so Hollywood. The woman is no longer the grand savior thanks to her resourceful husband. In short, the audience was duped into a bullshit ending, but at least the man is now the hero. From what I understand this was a studio mandated ending and not the decision of director Philip Noyce… go figure! Of course, Kidman's character isn't exactly the brightest bulb in the box, but then again what protagonist in a thriller ever really is? Why don't you do this? Why don't you do that? Questions that can be asked almost every time, but I would say she did pretty good for herself considering the situation at hand. That is until she needed her big strong hubby to save her. This isn't to say Dead Calm is a horrible film (it's a'ight), it just serves as one more example of a Hollywood studio never knowing when to get the hell out of the way. Below is the ending I am talking about if you need a refresher… suffice to say, it too is a SPOILER for those of you that haven't seen the movie. |
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| Four Rooms (1995) |
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QUICK THOUGHTS: Along with this film I also watched six others that had something in common with this one for a piece I am preparing for Monday morning. So, I don't want to say much about this film right now and come to think of it, there isn't really a lot to say. It just isn't that good, although I did have fun with it as it was definitely a change of pace, but to call it anything other than a passing diversion would be to give it too much credit. Here's the final scene of the film if you're interested.
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There you have it. Now share your weekly recaps and weigh in with any thoughts you may have on the films I saw. And remember to connect with my Netflix queue by clicking here, I have already added several titles from those that have already linked up.










