What I Watched, What You Watched: Installment #1
Godard, Scorsese, Scott, Polanski, Malle and more
| Coraline (2009) |
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QUICK THOUGHTS: Just watched the Blu-ray version of this one which hits shelves on Tuesday, July 21. I will give more thoughts in my weekly release guide, but on Monday I will be running a giveaway for three (3) DVD copies. Stay tuned.
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| Crimes and Misdemeanors (1989) |
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QUICK THOUGHTS: Woody Allen's neurotic and pessimistic take on life is one I can connect with about 80% of the time, but with this one he really goes to dark places despite the film's comedic aspects. It's a great film, but I found it to be really disturbing.
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| Elevator to the Gallows (1958) |
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QUICK THOUGHTS: Another Louis Malle feature, and this one with Miles Davis scoring. It's a pretty good flick, but the ending sort of bugged me. *SPOILER* Just who exactly took the pictures of Julien and Florence that were found at the end giving them away? Sort of makes the ending a bit of a letdown after a rather impressive build.
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| For All Mankind (1989) |
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QUICK THOUGHTS: I already reviewed the Blu-ray, but wanted to mention this one again because on Monday, July 20 TCM is running a day long marathon dedicated to films concerning the moon and outer space in dedication to the 40th anniversary of the Apollo 11 moon landing, and For All Mankind is part of it along with films such as They Came from Beyond Space and The Right Stuff. Get the full schedule here.
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| Knife in the Water (1962) |
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QUICK THOUGHTS: Criterion is releasing Repulsion on July 28 and I wanted to watch this one before I took on the other merely because it was the last feature film Roman Polanski made three years prior to Repulsion. The film was part of my Janus Essential Art House Collection and it is a fascinating dramatic thriller which rarely "thrills," but you can't help but stay on edge as the film has a growing intensity to it. It centers on a married couple that pick up a hitchhiker for what appears to be the most ludicrous of reasons (which is to say there appears to be no reason at all) only to find the film moving into an examination of the male ego.
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