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M. Nightly Retrospective: 'The Village'

Beautiful to the eyes and ears, but on a story level it just doesn't work

Night's Village is filled with pretty pictures and beautiful music, but not a whole lot more
Photo: Touchstone Home Entertainment
An isolated village is threatened by unseen outside threats while a love story between Ivy Walker (Bryce Dallas Howard) and Lucius Hunt (Joaquin Phoenix) is blossoming.

  • BOX OFFICE: $114,197,520 domestically, $256,697,520 worldwide and #300 all-time
  • PRODUCTION BUDGET: $60 million
  • M. Night Shyamalan's cameo in The Village is as a park outpost ranger

ONE GOOD:

Made with such elegance, atmosphere and wonderfully mannered performances it will nestle deep inside your head, refusing to budge. The more you ponder it, the better it becomes. ~ Ian Nathan, "Empire"

ONE BAD:

A colossal miscalculation, a movie based on a premise that cannot support it, a premise so transparent it would be laughable were the movie not so deadly solemn. It's a flimsy excuse for a plot, with characters who move below the one-dimensional and enter Flatland. ~ Roger Ebert, "Chicago Sun-Times"

The Village is not a good movie, which is tragic in that it has two great performances turned in from Bryce Dallas Howard in her first major feature film debut and Joaquin Phoenix. On top of that, James Newton Howard's score is outstanding and the cinematography by Roger Deakins is some of the best you will ever see. The pictures in this portion of the retrospective prove that fact.

The problems with The Village started from the very first time the trailers hit the scene. At this point Shyamalan's films had come to be known for their twist/revelatory endings which instantly told any logical thinking viewer that the village referenced in the trailers was probably not being terrorized by supernatural creatures. That hurt the story. What also hurt this film was the awful dialogue, primarily the dialogue William Hurt was asked to read:

What manner of spectacle has attracted your attention so splendidly? I ought to carry it in my pocket to help me teach.

That is a line Hurt reads near the beginning of the film. It comes off forced as do all of his lines. Why the majority of the 19th century jargon was his duty to regurgitate I will never know, but it never felt authentic or believable.

Bad dialogue and the fact that this would have worked simply as a love story (which is what it really is) without the faux scares would have made this a much better film. That is, unless Night had decided to go for real scares, featuring a real threat, and ditch the twist this time around. It's a case of marketing a thriller and delivering a romance in which the thrills were unnecessary. Audiences were left cold and that spelled the demise of this film and the fact that it still made over $100 million shows audiences still believed in Night. At least we still have Howard's score and Deakins' pictures.

I mention Roger Deakins in my quick critique above and for those of you that aren't familiar with his name you are probably familiar with his work. He's been nominated for seven Oscars including two last year for The Assassination of Jesse James by the Coward Robert Ford and No Country for Old Men. I also loved his work on Jarhead and we can look forward to his work on the upcoming release Revolutionary Road later this year.

Now, enjoy all the pretty pictures…

Photo: Touchstone Home Entertainment

Photo: Touchstone Home Entertainment

There's a person back there, lost in the darkness…
Photo: Touchstone Home Entertainment

The best of the bunch come on the "Next Page" where you can check out fourteen more screen grabs from The Village

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Post #1
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I was unable to catch "The Village" in theatres, and the twist got ruined for me. As in, someone told it to me. So my first viewing of "The Village" was already ruined when I saw it. The twist just seemed so…obvious. But, like I said, it had already been told to me.
Nevertheless, something about "The Village" is very watchable. Maybe its the score and amazing photography and great acting like you mentioned. But I find myself completely engrossed in the film every time I pop it into the DVD player. Yes, its true that "The Village" is not M. Night's best film, but it's right up there in watchability factor. Not that I have any clue why. There goes M. Night's brilliance yet again…

- IsItThursdayYet
( June 11th, 2008 | 10:43 pm )
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Post #2
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watching all of night's movies, and know he wrote all of them, do you really think the dialogue was bad? it's funny that you mentioned "forced" because that's exactly what it's supposed to be. after understanding the twist and my thoughts about the movie after the fact, the dialogue itself was one of those brilliant clues night had slapping us in the face the whole time. of course it's forced. they are pretending. they are trying to live in this world that doesn't really exist. william hurt is a great actor playing a bad one. this realization really made the movie come together for me.

- swimfan
( June 11th, 2008 | 11:33 pm )
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Post #3
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swimfan said: watching all of night's movies, and know he wrote all of them, do you really think the dialogue was bad? it's funny that you mentioned "forced" because that's exactly what it's supposed to be.

You know, that's a good way to look at it, but they have lived in that village for so long that they have sons and daughters in their 20s. I mean, if they haven't grasped the language by that point they must really be struggling.

I think you bring up a good perspective, but I have to disagree. So yes, I think the dialogue was bad.

- bradbrevet
( June 11th, 2008 | 11:37 pm )
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Post #4
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I love this movie. Here is my M. Night list in order: (Bear in mind that I like all of his films)
5-Lady in The Water= Liked it, found it very creative and thought the performances were great (it seems he is blessed as all his films contain great acting).
4-The Village=Well acted and I do kind of buy into the point that the dialogue would be forced even though it was a little goofy sometimes. ("Don't jostle about so").
3-Unbreakable=Once again great acting and an awesome story.
2-The Sixth Sense=I would say this is his best film without a doubt and Bruce Willis is just incredible as is, of course, young Mr. Osment. It is the quintessential ghost story and it would make Hitchcock proud.
1-Signs=LOVED this movie. I saw it twice in theatres and have watched it countless times on dvd. I was on the edge of my seat throught the entire film. Being a Christian I am bias toward the fact that Graham regained his faith at the end so that helped me like this film. I just loved the story, I thought it was visually stunning in a simple way, and the acting (Mel Gibson is amazing in this movie) is top notch once again. Sixth Sense is a better film I think, but this is the one I enjoy watching most.

- DarkKnightFAN12
( June 12th, 2008 | 7:06 pm )
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DarkKnightFAN12 said: Being a Christian I am bias toward the fact that Graham regained his faith at the end so that helped me like this film

I can see how being a devote Christian would certainly make someone love Signs more than I did. I thought that part of the story was very well done. Overall, that film just didn't really do it for me. However, it is nice to see one more person liked Lady in the Water, I actually think that may be my favorite Night film.

- bradbrevet
( June 12th, 2008 | 7:58 pm )
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