This one wasn't easy...
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Thief (1981) |
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| I hadn't seen Thief prior to last March, when I did a "Top Ten Heist Films" list and it ended up making the #8 slot. For any fan of Michael Mann you are going to see themes woven into this one that come up in almost all of his subsequent crime thrillers as he manages to mix the personal lives of his characters into their "professional" lives. Some are looking for a way out, some don't know what they're looking for and some don't even know they're looking, but most of them seem to be lost or stuck in a rut and all of this makes for true crime drama where emphasis on story and character is just as important as action.
The clip I am featuring below is referred to on the DVD commentary by James Caan as what he believes is his greatest scene of all-time. Mann talks about how hard the scene was to write, because you essentially have a ten minute conversation stopping the action. Caan references his character's fumbling of the lighter and Mann talks about having the waitress come in every now and again as helping keep things moving, but if you ask me the dialogue and the performances by Caan and Tuesday Weld are enough for me. Enjoy, it will hook you right away.
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Manhunter (1986) |
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| Believe it or not, I had never seen Manhunter before two days ago. I had opportunities, but didn't take advantage for one reason or another. My most recent opportunity came when Fox sent me the fullscreen version for review back when Hannibal Rising was being released. Sorry, wasn't interested in watching the fullscreen version. As luck would have it… Guess what version Netflix sends me… Yeah, fullscreen. They should really mark these things, but I guess I should blame Barnes and Noble, which is where I went to buy myself a copy and they didn't have it. Oh well, it didn't affect my ability to truly enjoy this movie far more than I ever expected to. Actually, I am quite surprised this film doesn't get mentioned more often, but I am sure it will over the next week or so as William Petersen as Will Graham shows the same tenacity Christian Bale shows as Melvin Purvis in Public Enemies, only one of the many connections Enemies has to Mann's entire playbook.
My one and only true disappointment in this film are the forceful William Petersen monologues. They are highly ineffective and I don't know about you, but I don't know anyone that sits around and talks to themselves in an aggressive manner. Sure, this guy is on the edge throughout the entire film, but these moments were a little too corny for my taste.
Now, the clip I have below I thought was quite cool as someone has put together a kinetic typography piece using the audio as Will Graham records his thoughts during a crime scene walkthrough. Ironically it's a William Petersen monologue, but this one gets a pass because it makes sense…
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The Last of the Mohicans (1992) |
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Heat (1995) |
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| I love this movie, I really do. I know many of you will have it in your top three Michael Mann films and most likely several will have it at number one. I don't blame you and it bounced in and out of my top three as I was putting this list together and ultimately fell to #4. I believe it has the second best female performance in a Mann film (first is up next) with Ashley Judd playing Charlene, wife to the character played by Val Kilmer. It has one of, if not the, best gunfights I've ever seen on film, which is also another excellent example of how Mann's films somehow manage to make gunfire sound like actual gunfire as it echoes through the streets of downtown Los Angeles. It's hard to explain the difference, but when a gun is shot in a Michael Mann film there is something drastically different about it.
I do, however, think Heat's finale is a little weak with the chase at the end of the runway. It's a tense scene that works on its own, but I didn't necessarily like it in context with the rest of the film.
Of course, as I already mentioned, the greatest part of Heat is the gunfight in the streets of L.A. and I have included it below, beginning with the bank robbery and leading up to the gunfire. Enjoy.
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Plenty of movement, plenty to discuss
McKay gives one of the best performances of 2009
Visually satisfying, but ultimately disappointing
Ninjas using CGI to fight their battles in darkness are not entertaining
Will Plummer and Mirren enjoy Oscar nominations?
Get a load of those choppers.
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Nine ~ TV Spot
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